What are the odds of getting even?
“Ocean’s Thirteen” reunites stars George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, Casey Affleck, Scott Caan, Eddie Jemison, and Shaobo Qin, with Carl Reiner and Elliott Gould. Al Pacino joins the cast as Willy Bank, with Ellen Barkin starring as his right-hand woman, Abigail Sponder.
THE OPERATIVES
RUSTY RYAN
While
LINUS
Linus Caldwell, played by Matt Damon, has been eager to take a more active role in the planning and execution of each heist. In “Ocean’s Thirteen” he finally gets his chance. He also gets the girl, but this romance is all part of the plan. Sporting what Damon describes as “a ridiculous prosthetic nose for no real reason,” Linus arrives at The Bank in the guise of Lenny Pepperidge, the “mouthpiece” for a mega-rich Asian real estate mogul, who is actually none other than the gang’s resident Chinese acrobat, Yen. While passing Yen off as a super high roller who is ready to risk up to $10 million at The Bank casino, Linus is angling for – and gets – the undivided attention of Abigail Sponder, Willy Bank’s right-hand woman. I finally got the love interest in one of these movies,” Damon says, admitting that his character gets a little help generating “chemistry” with Ms. Sponder, played by Ellen Barkin. “Linus is given these ultra-powerful pheromones, which act as an aphrodisiac to maximize her attraction to him. The plan is for her to get him into the Diamond Room.” The Diamond Room is where Bank keeps his collection of Tiffany & Co. diamond necklaces for his wife – one necklace of five perfect diamonds for each of the Five Diamond Awards his hotels have earned. Worth an estimated $250 million, the necklaces are secured behind two-inch thick concussion-proof glass, wired with pressure-sensitive seven digit coded alarms in an impenetrable room at the top of The Bank. Once in the room, Linus has to keep Ms. Sponder distracted long enough to switch the diamond necklaces for worthless fakes.
TERRY BENEDICT
Stealing the diamond necklaces was not part of the group’s original scheme. But there was an unforeseen financial crimp in the plans that demanded they find someone to bankroll them. At first glance – in fact, any way you look at it -Terry Benedict would seem to be the last man
The Mark: wiLLY BANK
The addition of Al Pacino to the “Ocean’s Thirteen” ensemble in the pivotal role of Willy Bank was orchestrated by Jerry Weintraub, who states, “We had worked together years ago, and he’s an old friend of mine. He’s such a great actor and he fit right into the mix.” Although Pacino had worked with Weintraub, “Ocean’s Thirteen” marks his first collaboration with Steven Soderbergh. “It was a great experience working with Steven,” he remarks. “He makes scenes come alive for you, which is one of the things great directors do. He creates a certain ambience on the set, a feeling of comfort that frees you up as an actor.” “I don’t think there is any filmmaker – certainly not one from my generation – who doesn’t admire Al Pacino and wouldn’t want the opportunity to work with him,” Soderbergh says. “For the role of Willy Bank, we needed somebody with enough power onscreen to come across as a threat to these guys. That’s a very short list.” Pacino notes, “Steven and I talked about how this character treads the line between being formidable and a little crazy. Willy Bank is a megalomaniac. His hotels are everything to him, which is why he’s so obsessed with the Five Diamond Awards. They have become his cause celebre, his reason for being, which is a little pathetic when you think about it. When
The latest addition to the cast of Ocean’s 13 is legendary actor Al Pacino playing the mark, Willy Bank. In an exclusive interview Al Pacino tells about his experience during the shoot and about his role.
Were you a fan of the first two movies?
I was a fan of Ocean’s Eleven, which I saw, but I never got to see Twelve, which I’m looking forward to seeing.
Why do you think it worked?
Well, it was a good story and they played it really well. All the boys and the director, Steven Soderbergh, just got into it and had fun with it. That was infectious.
What did you think of Brian and David’s script on this one?
That’s the reason I did it, because it was a good script. Not that I was surprised; it was just that you don’t expect something that good in a film that is part of a franchise.
They captured the voice and tone of the other movies.
And the story twists. It was fun.
Can you describe your character, Willy Bank?
Well, he’s a sort of megalomaniac-type guy. Everything is his work; everything is the hotel, to the point where it has blinded him to everything else that’s going on around him. So, eventually, it’s that one track that is his undoing. I like playing someone that puts the blinders on. That was fun to play.
He has done several hotels before this and they’ve all been very successful but each one just keeps getting bigger and grander.
It’s just how far can you go, you know? He, in his own way, is pushing the envelope to his own destruction. He almost sees his fate and has this crazy dance with it. What is his final outing going to be? Steven and I both talked about a character who is, at the same time, almost clownish in some ways, but also a formidable power. That is the whole idea of the game – to take on someone who is not easy.
Does he know
Oh, yeah. He knows his adversary. And in some perverse way, it’s fun for him to engage in this kind of thing, except he’s a little bit caught up with the pomp of everything. He enjoys this boss status he has acquired. But I’ve met some of these guys and they’re intense. I talked to someone who has 42,000 employees, and brilliant isn’t the word to describe this guy. I mean, he answered questions that I would have asked before I asked them. He was way ahead of everything.
You get the sense that men like this know ever detail of their hotels because it’s all part of the organization.
Yeah, but my character just takes it a little further. It’s almost farcical. He’s on the way to his first real nervous breakdown, I think. And these guys give it to him.
What is his obsession with the Five Star Diamond award?
That’s his Oscar, and either you have an obsession for an Oscar or you don’t. I think in a lot of ways the Five Star Diamond thing is his way of avoiding life and real connection with people. He gets connected to a Five Star Diamond award instead. I mean, that becomes his reason for being, which is pathetic, actually. It’s fun to talk about, though, and fun to play.
Tell me about the hotel itself, The Bank.
The Bank. It’s sort of a warped version of the Bellagio. What they did with this movie, they’ve taken everything and just upped it a little so it’s almost garish. It’s wonderfully orchestrated and thought out. I appreciate that.
What’s it like filming on the sets for The Bank?
It’s spectacular. It opens the world for you. It’s refreshing and at the same time it’s stimulating. It’s Vegas but it’s got an energy to it that’s different.
Have you worked with producer Jerry Weintraub before?
Yes, I have. He’s a great producer. Jerry is a producer who’s present. He’s really into it. He likes doing it, and you can feel it, so everybody goes with it. You know where he stands on things. That’s good to be around.
What is it like to work with Steven Soderbergh as a director?
He’s a great director. I had heard how great he was and, of course, saw his great movies. It was one of the great experiences, being around him and working with him. He makes scenes come alive in such a way for you and at the same time you never feel as though you’re in a movie. It’s just so easy. To the manner born, as they say, and that’s him. He creates this ambience, which is one of the great things directors do, and feel that place of comfort, which frees you up as an actor. You know that he’s watching. I never worked with him before, but I met him and talked to him a little bit, and knew he was a sensitive person. But to work with him was a real treat.
I got to ask you just a question about your sidekick, Abigail Sponder, played by Ellen Barkin. Who is she to him?
Well, she’s someone who for some reason is enamored with Willy, because this guy does have certain gifts. Anyone who gets this far has gifts and I think she respects those gifts. I think she’s also someone who has a certain look which she appreciates for business because everything is for business with these people. I don’t think he knows much about her personal life or anything. I don’t think he could tell you the color of her eyes, but she’s there and he knows somehow that she looks good in a dress because people have told him. She gets the job done, though. Other people sort of don’t exist for him, really.
Does it even occur to him that
I don’t think he’s threatened by them. I think he feels superior, but he knows he has to think and he can’t quite believe it because he’s very well covered. Whoever he’s got behind him are people of some sort of weight. He wouldn’t be here if he didn’t. And people I’m sure owe him favors and stuff. But at the same time, it’s human nature to underestimate people. That’s one of his flaws, you might say.
Can you talk about the sumo match in the film, where he comes out and gives a speech?
Owning a place like this is also getting to reap some of the benefits of it – just hanging out, seeing the beautiful people who look at you like you’re somebody. I think he enjoys the attention, in a way. And he fancies himself some sort of bon vivant.
By the way, had you ever seen sumo wrestling before?
No. That was impressive because when they go at each other like that, it’s quick and strong. So it was impressive, yeah.
Was it fun to be part of this cast, which has worked together on the past films?
Oh, yeah. When you’re around people who do this the way they do it and they want you in, it immediately makes you comfortable. I did know some of these guys from before but it’s just a warm, wonderful feeling they have. I’ve met Julie a couple of times, Brad, and having met Matt, he’s just a great guy, Don Cheadle, and all of them. It’s wonderful. Elliot Gould is a friend of mine. He’s a card playing buddy, Elliot.
Do you consider Willy Bank the villain of the piece?
Oh, no. I think he is an unconscionable person, the things that he does, yeah. But when you play a part like this you try to at least find that balance where you can see some of his foibles. I’m not talking about his humanity; it’s not that kind of picture. But at the same time, you want to give a slant on it. He could go both ways, and there’s something about him that is vulnerable even though he’s not.
